One of Klee's points that I thought was very interesting was the one he makes about a free line. He says a free line is just a line that goes everywhere, one that really has no place it is going. I really loved the metaphor he used about a free line, "it goes out for a walk, so to speak, aimlessly for the sake of the walk." I thought this comparison was spot one, because when I look at a line that is really how it looks to me, that it just went out for a random walk for no apparent reason. Another point that I really liked in this piece is when he explains what an Active Line looks like. How he says that with each stop a long the ay the line is just itching to get to the next point. I think this is a really could analyze of what this kid of line looks like and how it makes you feel when you look at it.
Klee's next point is the one that I do not really seem to understand or agree with. This is when he says that linear tension is discharged between two lines to create a plane. I could see how someone could think this, but I just think that this idea is too abstract and out of the box to be considered correct. Klee then begins to indulge in what a shaded in shape really is. He shows that in reality it is just a bunch of lines extremely close together. How could I not agree to that? That point makes complete logical sense, unlike his point about tension.
Lastly, I didn't completely understand the differences between why different shapes and lines were passive, middle, or active. The only thing that I really got from it was the tow of the pictures were flipped when one was linear and one was planar.
I thought that this was a pretty good article overall, I liked a lot of the comparisons and metaphors he used to describe lines. It just made me frustrated that I could not really get some of the biggest concepts in the article.
I also found the article to be relatively confusing and difficult to read. With that being said I did have some what of an understanding of the relation between a line and a plane. The plane is formed from a collection of lines which then form a body. I do also agree with your statement about the square being colored in. There is really no other way to interpret it than a collection of lines grouped very closely together. Thanks for the insight about the article.
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